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What the body learns when it slows down

6 min read

A student lying in final relaxation on a terrace, a bolster under her knees, temple towers beyond

People come to a Hatha class for a reason they can name: a back that aches by the afternoon, a mind that will not stop, broken nights. They stay, I think, because slowing down changes how the body carries itself. What follows is that change, and what the research can and cannot say about it.

What Hatha was for

Hatha yoga, the branch of yoga that works through the body, has its best-known text in the Hatha Yoga Pradipika, written in the fifteenth century. It has four chapters: postures, breathing, the seals called mudras, and the state of absorption the whole practice aims at. The postures were meant to prepare a body to sit still for a long time without complaint, so that the mind could be trained; burning energy and building muscle did not come into it. The text promises steadiness, health and lightness of limb along the way, and what the trials now measure is, I think, the same promise in modern terms.

That history explains the form. A classical Hatha class holds each posture rather than flowing through it, rests between postures, and ends with a long relaxation. Faster classes tend to shorten all three, and all three are where the body does its learning.

The spine and the joints

Hold a seated forward bend for two minutes and the first thirty seconds are the body's objection. The muscles along the back of the legs and the spine resist, as they are built to. If the breath stays slow and nothing is forced, the objection fades. The tissues lengthen a little, and the nervous system, which decides how far it will allow a joint to go, allows a little more. Come back to it week after week and, for most people, the range they had at thirty seconds becomes the range they start from.

In class I say very little during those two minutes, and what I say is about the breath. Where the hands reach does not matter. What matters is that the out-breath is longer than the in-breath, that the jaw is loose, and that the student notices the moment the body stops arguing. That moment is most of the lesson, and once you have felt it in a forward bend you will recognise it elsewhere.

The twelve classical postures move the spine forward, backward, sideways and in a twist, load the shoulders and the hips, and turn the body upside down in the headstand and the shoulderstand. It is the sequence I learned in Kerala in 2015, and I teach it as I learned it.

The breath and the nervous system

Every classical class moves from its opening relaxation into pranayama before any posture, and the breath sets the pace of everything after. There is a physiological reason. Breathing is the only vital rhythm you can take over at will, and when you slow it to below ten breaths a minute the body answers. Heart-rate variability rises, one sign that the parasympathetic system, the body's rest-and-repair side, is taking a larger share of control. A 2018 review in Frontiers in Human Neuroscience found that slow breathing raised that variability and was linked to lower anxiety, anger and confusion and to greater comfort and alertness. There is more on this in Six Breaths a Minute.

In class, this means the postures meet a nervous system that has already been asked to settle. In my experience the body goes further when it is not braced, and the relaxation at the end goes deeper after more than an hour of preparation for it.

Rest and sleep

Savasana, the final relaxation, is the posture most people skip at home and the one I would never cut in class. Lying still for ten to fifteen minutes while the body is released part by part and the mind is kept awake is a practice in its own right. It rehearses what falling asleep asks of you: the same slowing of breath, the same letting go of the limbs, done with attention rather than by accident.

None of the reviews I cite here measured sleep, so I make no claim for it. What I can say is that students who sleep badly tell me the half hour before bed is often the first thing that changes.

What the trials show

Three findings are solid enough to build on.

For chronic low back pain, a 2013 systematic review by Holger Cramer and colleagues pooled ten randomised trials with 967 patients. Yoga reduced pain and back-related disability in the short term by a medium-sized margin, and the benefit was still present, though smaller, months later. The authors rated the short-term evidence strong and the long-term evidence moderate, and found no serious adverse events in the trials that reported safety.

For depression, a review the same year by the same group pooled twelve trials with 619 participants. Yoga reduced the severity of depression more than usual care, and, on fewer trials, more than relaxation and more than aerobic exercise. The authors were careful. Only three of the twelve trials were at low risk of bias, and no trial reported safety data. The trials were too few and too varied to say anything about lasting effects. They called yoga an ancillary option, something to add to treatment rather than replace it. So would I.

For anxiety, a 2018 review of eight trials with 319 participants found that yoga reduced anxiety in people whose anxiety was raised but not diagnosed as a disorder. In people with a diagnosed anxiety disorder the evidence was inconclusive. That distinction matters, and a yoga teacher should make it.

Where the evidence stops

Most trials are small, run for a few months, and compare yoga with usual care or a waiting list, which is a low bar. Where yoga was set against another active treatment the differences were usually smaller or unclear. The trials pooled several styles of yoga, so the slow, held form is my judgement, not theirs. Nobody has shown that yoga cures anything, and I will not claim it. What the trials do show is that a regular practice makes measurable differences to pain and to mood, and that where anyone looked for serious harm, none was found.

What to expect from a first month

If you come every week for a month and practise a little at home, this is roughly what I see, though nobody follows it exactly. In the first week the postures feel like a lot of instructions. In the second, the breath starts to lead and the instructions become fewer. By the third, you know the relaxation at the end is coming and look forward to it. Somewhere in the fourth, many people have something to tell me from outside the class: an afternoon with less backache, or a mind that gave them a little more room. It is rarely dramatic.

The weekly class is where most people start, and where you find out what your own body learns.

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